Bewitched in Tokyo
(Okusama wa Majo)
Bewitched in Tokyo

There I was - standing on the platform at Yurakucho Station in early January - and as I idly looked at the advertising billboard between a set of fiberglass platform seats, my vision locked onto a poster of a young woman riding a broom over Tokyo... "Bewitched in Tokyo" it said (above photo). Not only the name, but the theme of the poster tied in with the 1960's American TV show "Bewitched". Growing interested - not the least of the reasons being that the woman was quite attractive (I, and most men I suppose, are absolutely helpless in the onslaught of beauty rays that emanate from some woman...).  Looking over the poster (there were four identical ones in a row actually) Inoticed a date and time... January 16th, at 12:00... "Well-well-well, this is to be a new TV show here in Japan!" I realized. A J-version of the show I so enjoyed watching as a kid sitting in front of my parents old black and white tube TV (I'm referring to the bank of 15 tubes inside the TV BTW).
      Back at home in front of my low-tech CRT monitor (always in front of one tube or another), I went to the TBS site and had a look at their page for the show. Wow... pages of history, fan letters - before it's even aired the first show - thanks to the fact that a large number of people in Japan, as in the US, watched the show as children.

Culture Lesson #1
One reason so many US movies, television shows, etc. are popular here is because an overlapping part of the culture of current Japan (as opposed to 17th century Japan) is the very same culture. Why should J-watchers like the same shows as US-watchers? Why not? It's their culture too!

January 16th, 2004  22:00
The first episode got off to a rough start with low-budget computer graphics, but once the actors took the stage it went pretty well. Is that a breeze from the US 1960's I felt in the room?

Culture Lesson #2
Much has been written about "Japan's infatuation with the West", but it has more to do with "benchmarking" (PR-speak for "copy"). Let's face it - when you are in the lead and are benchmarked, it's derisively called "copying", but when you do it, it's suddenly called "benchmarking"! "We benchmark and they copy". Anyway, "Bewitched in Tokyo" is one result of all that benchmarking on this side of the Pacific. Tokyo is a squeaky clean, steel & glass modern place now, and it's time to enjoy life!

And... that's basically it. In closing, allow me to comment on Japanese soaps (which is what it really is here - with a three-month lease on life).  In a simplistic sense, you could say that US soaps depend on the audio track for their success, and Japanese soaps depend on the visual element.  If you had to choose between only the sound or only the picture, you would be better able to follow the story in many US shows by listening to the sound only, and better able to understand many Japanese shows the picture only. Or at least you would be better entertained. Typically, if there is a scene of two people having a discussion in a coffee shop (see Culture Lesson #3 below), the camera angle floats up in the air, peeks at them from behind a stack of glasses on a counter, changes to half seeing them from outside through the window which is reflecting people walking by, etc. So, you might not understand the intricacies of the story, but the show is entertaining to watch just for the cinematography alone. Japan doesn't only make all those cameras, people here love to use them!

Culture Lesson #3
Coffee shops.  Simple to explain.  Tokyo is a vast city, so if you meet someone, chances are you live an hour or more by train from where they live.  That, combined with the fact that most people's residences are on the, um, "not overly spacious" side, creates a situation where people generally meet each other at some agreed upon spot in-between their two residences.  Since public places where people can actually sit down are few and far between (30,000,000 people in greater Tokyo), coffee shops fulfill this function.

January 23rd, 2004 - that's today as I write this (What's that? It's July 27th, 2157 now for you the reader? Wow...), and I'll be in front of the solid state - but still tube - TV this evening for the second show.

Copyright 2004 by Lyle H Saxon, Images Through Glass, Tokyo